Barracoon: The Story of the Last "Black Cargo"

Zora Neale Hurston
Foreword by Alice Walker
Introduction by Deborah G. Plant
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Barracoon: The Story of the Last "Black Cargo"

Zora Neale Hurston
Foreword by Alice Walker
Introduction by Deborah G. Plant
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Found in: Community & Culture, Black Voices

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Overview

208 PAGESENGLISH

Promotional Details
  • Published date: May 08, 2018
  • Language: English
  • No. of Pages: 208
  • Publisher: HarperCollins
  • ISBN: 9780062748201
  • Dimensions: 5.5" W x 0.77" L x 8.25" H
“That Zora Neale Hurston should find and befriend Cudjo Lewis, the last living man with firsthand memory of capture in Africa and captivity in Alabama, is nothing shy of a miracle. Barracoon is a testament to the enormous losses millions of men, women and children endured in both slavery and freedom—a story of urgent relevance to every American, everywhere.” - Tracy K. Smith, Pulitzer Prize-winning author of Life on Mars and Wade in the Water
“Zora Neale Hurston’s genius has once again produced a Maestrapiece.” - Alice Walker, Pulitzer Prize-winning author of The Color Purple
“Barracoon is a powerful, breathtakingly beautiful, and at times, heart wrenching, account of one man’s story, eloquently told in his own language. Zora Neale Hurston gives Kossola control of his narrative— a gift of freedom and humanity. It completely reinforces for me the fact that Zora Neale Hurston was both a cultural anthropologist and a truly gifted, and compassionate storyteller, who sat in the sometimes painful silence with Kossola and the depth and breadth of memory as a slave. Such is a narrative filled with emotions and histories bursting at the intricately woven seams.” - Nicole Dennis-Benn, author of Here Comes the Sun
“An invaluable addition to American social, cultural, and political history.” - Publishers Weekly (starred review)
“Sure to be widely read.” - Kirkus Reviews
“A profound impact on Hurston’s literary legacy.” - New York Times
“Though both Hurston and Lewis are long gone, Hurston’s account of the former slave’s life serves as a timely reminder of our shared humanity—and the consequences that can occur if we forget it.” - People
“Zora Neale Hurston has left an indelible legacy on the literary community and commanded an influential place in Black history.” - Essence
“A posthumously-released work of acclaimed Harlem Renaissance-era writer Zora Neale Hurston offers a chilling firsthand look at the horrors of the slave trade.” - Vibe
“[Zora’s] newly published book, released for the first time 87 years after it was written, will shed new light on the author as a historical chronicler.” - Quartzy
“With its historically valuable first-hand account of slavery and freedom, Barracoon speaks straight to the 21st-century world into which it has emerged—almost a century after it was written.” - Lily Rothman, Time
“Barracoon is an impactful story that will stick with you long after the final page.” - Parade
“Barracoon and its long path to print is a testament to Zora’s singular vision amid so many competing pressures that continue to put us at war with ourselves.” - Huffington Post
“Barracoon is a piece of the puzzle we didn’t know we were missing. Ms. Zora has captured through the lens of Cudjo Lewis a glimpse into what the slave trade, Middle Passage, and first steps onto American soil meant for millions. The narrative of Cudjo reminds us of the faith and hope that got us here despite it all.” - Michael Twitty, author of The Cooking Gene
“A profound work that shows a writer in the process of gathering a landmark story.” - Garden & Gun
“[Barracoon’s] belated publication of her phonetic transcription offers spine-chilling access to one of modernity’s great crimes, an atrocity that, when described by a victim, suddenly becomes far less distant.” - The Guardian
“Zora Neale Hurston’s recovered masterpiece, Barracoon, is a stunning addition to several overlapping canons of American literature.” - Tayari Jones, Washington Post
“Short enough to be read in a single sitting, this book is one of those gorgeous, much too fleeting things...Brimming with observational detail from a man whose life spanned continents and eras, the story is at times devastating, but Hurston’s success in bringing it to light is a marvel.” - NPR
“Barracoon is a testament to [Zora’s] patient fieldwork” - Vulture
“One of the greatest writers of our time.” - Toni Morrison
“Barracoon reinforces what those of us who love Hurston’s work have known all along: her keen intellect and curiosity was only surpassed by her genuine empathy for her subjects. This book is not just an account of one man’s survival in the face of atrocity, it’s a celebration of language and tradition; a clear labor of love.” - Angela Flournoy, National Book Award Finalist and author of The Turner House
Zora Neale Hurston was born in 1901 in Eatonville, Fla. She left home at the age of 17, finished high school in Baltimore, and went on to study at Howard University, Barnard College, and Columbia University before becoming one of the most prolific writers in the Harlem Renaissance. Her works included novels, essays, plays, and studies in folklore and anthropology. Her most productive years were the 1930s and early 1940s. It was during those years that she wrote her autobiography Dust Tracks on a Road, worked with the Federal Writers Project in Florida, received a Guggenheim fellowship, and wrote four novels. She is most remembered for her novel Their Eyes Were Watching God, published in 1937. She died penniless and in obscurity in 1960 and was buried in an unmarked grave. In 1973, her grave was rediscovered and marked and her novels and autobiography have since been reprinted.

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