Praise for The Swallowed Man:

“Inspired. . . . a riff on the entwined themes of fatherhood and creative spark.” —The New York Times Book Review

“The Swallowed Man stands out among Carey’s other works. . . . an existential fairy tale for adults told by an old artist considering the tragedy of life.” —The Washington Post

“When I say that this is a beautiful book, I mean that literally­—the language as well as the art. . . . A spectacular experience.” —Bill Goldstein, NBC

“Richly descriptive and abundantly playful . . . [an] endearing meditation on creation and its power, conveying how much the act adds to our existence.” —The Austin Chronicle

“Carey has a knack for beautifully connecting objects to characters, in addition to weaving artwork—literally and figuratively—into his writing. . . . The Swallowed Man is a wrenching take on the indefatigable nature of time, the restless way in which parents seek the best for their children, often spurning themselves in quiet darkness, not knowing if they did right by their offspring.” —Ploughshares

“Illuminated by Carey’s exquisitely textured original illustrations, [The Swallowed Man] is a slim novel about art, parenthood, and what it is like to see your creations walk in the world, defy you, and even, maybe, save you as well. And it could not be more timely. [It has] the feeling of a book that both exists outside of time and yet lands, unerringly, in the present. . . . And as deliberate as his brushstrokes are, his words are as well.” —Alexander Chee, Lit Hub

“A surreal and intimate portrait of a father in crisis.” —Poets & Writers

“Following up on the triumph of his historical novel Little, Carey proves once again how there is a magic in that archetypal familiarity of the perennial fairy tale.” —The Millions

“Geppeto, carver of naughty Pinocchio, keeps a haunting journal of his years inside the whale. Bizarre [and] moving.” —Margaret Atwood

“No Disney fairy tale, this is an illustrated, literary, poignantly erudite study in anguish, guilt, madness, soul-searching, and eventual redemption.” —Booklist

“Art objects live in the belly of this marvelous novel, images swallowed by text, sustained by a sublime and loving imagination. Like all Edward Carey's work, The Swallowed Man is profound and delightful. It is a strange and tender parable of two maddening obsessions; parenting and art-making.” —Max Porter, author of Grief Is the Thing with Feathers and Lanny

“A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.” —Kirkus Reviews

Praise for Edward Carey:
 
“[A writer with] a dowsing rod capable of divining what hides within the human heart. Carey is without peer.” —Kelly Link

“Edward Carey writes wonderfully weird books about wonderfully weird things.” —Celeste Ng

“Nothing short of a genius.” —Daily Mail (London)