Few, if any, U.S. writers are as important to the history of world literature as Edgar Allan Poe, and few, if any, U.S. authors owe so much of their current reputations to the process of translation. Translated Poe brings together 31 essays from 19 different national/literary traditions to demonstrate Poe's extensive influence on world literature and thought while revealing the importance of the vehicle that delivers Poe to the world-translation. Translated Poe is not preoccupied with judging the "quality" of any given Poe translation nor with assessing what a specific translation of Poe must or should have done. Rather, the volume demonstrates how Poe's translations constitute multiple contextual interpretations, testifying to how this prolific author continues to help us read ourselves and the world(s) we live in. The examples of how Poe's works were spread abroad remind us that literature depends as much on authorial creation and timely readership as on the languages and worlds through which a piece of literature circulates after its initial publication in its first language. This recasting of signs and symbols that intervene in other cultures when a text is translated is one of the principal subjects of the humanistic discipline of Translation Studies, dealing with the products, functions, and processes of translation as both a cognitive and socially regulated activity. Both literary history and the history of translation benefit from this book's focus on Poe, whose translated fortune has helped to shape literary modernity, in many cases importantly redefining the target literary systems. Furthermore, we envision this book as a fountain of resources for future Poe scholars from various global sites, including the United States, since the cases of Poe's translations-both exceptional and paradigmatic-prove that they are also levers that force the reassessment of the source text in its native literature.
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Translated Poe, however, is an extremely important study that fully adapts and concretizes this approach. Thirty one esteemed academicians who are deeply involved in literature and translation (studies) from all comers of the world, contributed to this study. Translated Poe gives sight into how the works of the poet, short story writer and literary critic Edgar Allan Poe as being one of the most significant literary figures in the 19th century have shaped literatures in nineteen different countries and also how his image has been shaped in those places. . . . The transformations driven by literary translation activities in the national literary polysystems are worth examining and illuminating in the light of translation theories. Such studies are of great importance to reveal the affiliation and interaction between literature and translation (studies) with the help of concrete examples. Thus Translated Poe fills the gap in those discussions and serves as a model for future studies. The study not only appeals to translation scholars, translation critics, students at translation departments or the ones who are in some way involved in the field but also literary scholars, critics and students of philology departments together with Poe lovers.
Emron Esplin is assistant professor of English at Brigham Young University. Margarida Vale de Gato is assistant professor at the University of Lisbon and a researcher at its English Studies Centre (ULICES).
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